Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches.
.
Exhibitions Images and Recordings: View.
||||
Recent Exhibition:
July 26 - September 6, 2025. Summer. Group Exhibition. Los Angeles (4478).
Trey Ross, Shuai Yang, Cesar Herrejon, Joey Serricchio, Sue Shu, Saun Santipreecha
+ Release: File.
+ Abstract: Brief.
+ Reference: Checklist.
+ Population: Bios.
+ Press: This Week’s Must-See Art (Curate LA: April 24-30, 2025).
+ Exhibition Page: Site.
|
Bio
Cesar Herrejon is currently an MFA candidate at the University of Colorado Boulder focusing on mixed media painting and drawing. He is from Birmingham Alabama. Growing up in the deep south, Cesar was involved in the skateboard culture around his teen years and draws influences from these childhood experiences into his work. Currently his work also explores materials foreign to academic artistic expression that parallel and enrich his cultural heritage. He often uses defamiliarized quotations from culture in his work like the surrealism that he finds deeply rooted in Mexican Culture. Art is the only thing that has interested him, and it is the only thing he has found to feel passionate about and build his identity with. His studies and research included printmaking incorporating it with painting and drawing.
{c.04/13/2024. Biographical text courtesy of the artist.}
|
[A Note on works included in There’s no telling time.]
With Herrejon’s Untitled Images (2024) collage of xerox transfers (onto silicon caulking), I am left to pick-up the pieces and install myself among the remains. The sepia toned slabs of translucent silicon pucker under their weight against the rusty nails clasping each piece on the wall, with foggy images peering-through from a distance that resembles a bad memory remembered fondly. Or a good memory remembered badly—or barely. (After all, it’s arguable that all family photos are bad memories, or at least memories so intentionally made that they become imagination.) Or maybe I’m just thinking of an episode from a TV show or a meme I almost made and I end-up mistaking that for my own memory. Either way, I find myself forgetting what I remember as soon as I assume someone put any of these images together for a reason.
Or maybe memory is what holds them in-place, not where they came from….
—80
____
Exhibitions with the Gallery
:
- July 26 - September 6, 2025. Summer. Group Exhibition.
+ Release: File.
+ Abstract: Brief.
+ Reference: Checklist.
+ Population: Bios.
+ Press: This Week’s Must-See Art (Curate LA: April 24-30, 2025).
+ Exhibition Page: Site.
- April 13 - May 18, 2024. Group Exhibition.
+ Reference: Checklist.
+ Release: File.
+ Press: Feature (LA Art Party: April 13, 2024); This Week’s Must-See Art (Curate LA: April 11-17, 2024); LA Art Openings & Spotlight (ArtRabbit: April 10, 2024).
+ Exhibition Documentation: View.
_____
Inquire for Information, Image Details, or Status of Exhibited Works:
gallery@reisigandtaylorcontemporary.com
_____
....
ratio ·−· ·− − ·· −−− . Trey Ross, Shuai Yang, Cesar Herrejon, Joey Serricchio, Sue Shu, Saun Santipreecha. July 26 - August 30, 2025. Group Exhibition. {Installation view/ Afternoon (0).}
Afternoon (1).
Afternoon (2).
Afternoon (3).
Afternoon (4).
Afternoon (5).
Afternoon (6).
Afternoon (7).
Afternoon (8).
Afternoon (9).
Afternoon (10).
Afternoon (11).
Afternoon (12).
Afternoon (13).
Afternoon (14).
Afternoon (15).
Afternoon (16).
Afternoon (17).
Afternoon (18).
Afternoon (19).
Afternoon (20).
Afternoon (21).
Afternoon (22)
Afternoon (23).
Afternoon (24)
Afternoon (25).
Afternoon (26).
Morning (0).
Morning (1).
Cesar Herrejon. mickey brick . 2025. Polyurethane, caulk, latex, tea on found brick 9 x 5 x 2.5 inches.
Cesar Herrejon. boxes of inbredation . 2025. Caulk polyurethane, fabric, paper, ink, on found boxes. Dimensions variable.
Cesar Herrejon. guiso . 2025. Oil, acrylic, watercolor, fabric on tar paper. 54 x 45 inches.
Joey Serricchio. Casket . 2025. House paint on wood panel; carving. 30 x 27 inches.
Joey Serricchio. House . 2025. House paint on wood panel; carving. 15 x 15 inches.
Joey Serricchio. Garden . Nokia Phone, microcontroller, C++ code. 6 x 2 x .5 inches.
Joey Serricchio. Possum . 2025. House paint on wood panel; carving. 12 x 6 inches.
Joey Serricchio. Storm . OLED screen, keychain, wristband, key, C++ code. 2.25 x 5 inches.
Joey Serricchio. Pasture . LCD display in frame, C++ code. 2.25 x 2.25 inches.
Joey Serricchio. Crow . 2025. House paint on wood panel, carving. 6 x 9 inches.
Saun Santipreecha. Excavation Site—Scale Pathologies [or, Dragon Age: Redemption] . 2025. Acrylic, colored pencil on Dragon Age: Redemption score paper; bass sound exciter (x2), stereo preamp (x1), audio player (x1), recording from Dragon Age: Redemption 14 x 8.5 inches each (score paper). [Audio installed in gallery, audible throughout the entire exhibition.]
Sue Shu. Transfer 2 . 2025. Plaster, aluminum mesh, wax, and spackle.
Sue Shu. Transfer 1 . 2025. Plaster, aluminum mesh, wax, and spackle.
Sue Shu. Untitled . 2025. Paper and concrete.
Shuai Yang. One Mètre and Two Ends . 2025. Inkjet print on cardstock sheets; steel, wires, plastic handle. 34 1/2 x 50 1/2; 21 1/2 x 39 3/8 inches. [Gallery Light + Natural Light (Morning). Settled.]
Shuai Yang. One Mètre and Two Ends . 2025. [Natural Light (Afternoon). Unpacked.]
Shuai Yang. The Subtle Contract . 2025. Wood, ruler, plexiglass. 2 x 40 x 2 1/2 inches.
Shuai Yang. Stepmother No.6 . 2025. Wood; unique. 14 x 2 x 5 inches.
Shuai Yang. Stepmother No.4 (Stock) . 2025. Wood, ruler, MDF board, nails; Unique 24 x 32 x 6.5 inches.
Shuai Yang. Stepmother No.5 . 2025. Wood; unique. 9 x 3 x 10 inches.
Trey Ross. 024 . 2025. Metal plate etching on porcelain, glaze, multiple firings, and fiberglass epoxy. 3.5 x 2.5 inches. [Installed with glass encasement (made by Trey) and a magnification loupe available to viewers.]
Trey Ross. 023 . 2025. Metal plate etching on porcelain, glaze, multiple firings. 4.5 x 3 inches.
[Detail: Afternoon (Gallery).]
[Detail: Afternoon (Daylight).]
Trey Ross. 022 . 2025. Porcelain, glaze, stoneware pedestal. Cone 10. 8 x 5.5 x 5.5 inches.
Installation View\ Day (0). There's no telling time. Jackie Castillo, Shabez Jamal, Sarah Plummer, Xiao He, Cesar Herrejon, Magaly Cantú. April 13 - May 18, 2024. Group Exhibition.
Installation View\ Day (15).
Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches.
Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches.
Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches. [Detail.]
Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches. [Detail.]
Installation View\ Day (1).
Installation View\ Day (2).
Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches.
Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches.
Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches. [Detail.]
Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches. [Detail.]
Installation View\ Day (8).
Installation View\ Day (10).
Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches.
Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches.
Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches. [Detail.]
Installation View\ Night (0).
Installation View\ Night (1).
Installation View\ Night (2).
Installation View\ Night (3).
Installation View\ Night (4).
Installation View\ Night (5).
Installation View\ Night (6).
Installation View\ Night (7).
Installation View\ Night (8).
Installation View\ Day (3).
Installation View\ Day (4).
Installation View\ Day (5).
Installation View\ Day (6).
Installation View\ Day (7).
Installation View\ Day (9).
Installation View\ Day (11).
Jackie Castillo. From Somewhere They Had Known Before. 2023. Concrete landscape edger, 120mm film scan of the Great Pyramid of Cholula, laser print, polyvinyl acetate aadhesive. [Aerial.]
Jackie Castillo.Jackie Castillo. From Somewhere They Had Known Before. 2023. Concrete landscape edger, 120mm film scan of the Great Pyramid of Cholula, laser print, polyvinyl acetate aadhesive. [Orthogonal.]
Installation View\ Afternoon (0).
Installation View\ Afternoon (1).